Ann Armstrong, in the fabric studio |
And just like that, it's gone. So fast
the time passes, even if I was able to accomplish much of what I
wanted at Haystack: even flax paper haiku. I wrote almost every day
with Betsy Sholl, former Maine poet laureate, an absolute gift—she is an
astonishing wordsmith—and now have friends dotted around the
hemispheres: in Grand Rapids and Poland and Capetown and Austin and
Providence. And the best thing about spending two weeks with a
community of artists is the new beauty I find in the world.
These people see all material as a
substance to be crafted, to be shaped according to the muse, to be
made more beautiful at all costs. Maybe some people think that's
unimportant. But those people are wrong.
I came home (you know with what effort
I type that word) yesterday, limping in the Volvo, praying the whole
way, and using Deepak Chopra-style visualization along with deep
breathing and a light touch on the gas. Within in ten minutes of
being here, K. had the engine cover off and discovered oil leaking
into my spark-plug wells. Which means he had the problem fixed in
another twenty, but it also means I could have lit my engine on fire
during the twenty-minute drive home. Allegedly. Thank goodness for
small mercies.
I even assisted: bringing a tool as
requested without having to figure out what the word meant. And I
cleaned some receptors with alcohol, q-tips, and paper towels. I'll
be a mechanic yet.
The bridge off Deer Isle, though. The
thing is a blue behemoth, with a 25-mile-per-hour speed limit, and
all week I stalled every time I dropped down to a low speed and
climbed a high hill. No shoulder—only ocean—on the bridge. All I
could think was that I'd stall at the top, which panicked me, so I
imagined instead the relief I'd feel on the other side. Or the
relief I'd feel, pulling into the white trailer, with its dim traces
of mold, and my Shadow, and the partridge nesting, and the jerusalem
artichoke as high as an elephant's eye. Saying: I didn't stall
once!
So: I didn't stall once. I left my
haikumobile as ephemera, a minor tragedy, but only a minor one. And
now the bell no longer tolls my hours and my meals—I am responsible
for myself again. The respite is over.
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